such an intimate journal

a walk through a photography student's journey, from brazil to paris

© richard nicholson -

analog - last one out, please turn on the light (a survey of london’s remaining professional darkrooms, 2006–2010)

cheesecake - un film par ava du parc et anna de pontbriand vieira

animer l’image fixe - sous la direction de christophe caudroy, nicolas granon, claire bras, véronique durr et eric @ ENSLL

olivier monge + le jour blanc

un conte sur des traces presque invisibles, noyées dans une blancheur qui fond…

pliés à la japonaise, reliure fait maison: M.Y.O.P éditions

les premières rencontres photographiques louis lumière! 

les premières rencontres photographiques louis lumière! 

insomnia —- 

12:30 AM, 1:30 AM, 2:41 AM, 3:12 AM, 4 AM, 5:48 AM, dans la nuit tintent les horloges, peu importe, le corps veille, nuit, il fait nuit partout sauf dans ma tête, odeur du monde, mon corps a perdu son autre corps.

series for the third edition of the nova rupta photography collective, nuit.

(tri-x 400 and bronica ETR 4,5x6)

making-of du TD smart @ ENSLL

images: léa rollin

montage: ava du parc

TD smart (ou stratégie de l’image numérique), avec anthony bernier, christophe caudroy, véronique durr.
ensll, février 2011

TD smart (ou stratégie de l’image numérique), avec anthony bernier, christophe caudroy, véronique durr.

ensll, février 2011

“When we talk about women photographers, we should be aware of the socio-economic context of Japanese society. From around the late 1980s the consciousness of women’s social rights grew much stronger than ever, especially with the revision of the Equal Employment Opportunity Law of 1985 which encouraged many women to search for new roles in society besides being housewifes and working only in low-paid jobs. The young generation of women grew up with the new ideas about their roles in society. And we should also think about the technical background. The development of easier-to-use cameras was a huge step which made it much easier for non-professional photographers to produce better images. Being freed from necessity of concentrating on the technical side of photography has appealed very much to young women in since the 1990s. And there is also an institutional reason: museums, galleries and photography award exhibitions like Hitotsubotenor New Cosmos of Photography became very popular among young people. All of this together led to a boom in female photography.”

from Focus on contemporary japanese photography - Interview with Mariko Takeuchi

“querida menina a beira do mar, apanha um barco branco e vai vai vai…”
par antoine le roux, 2011

“querida menina a beira do mar, apanha um barco branco e vai vai vai…”

par antoine le roux, 2011